
Like Robert Altman's The Long Goodbye (1973) and Roman Polanski's Chinatown (1974), Arthur Penn's Night Moves
rethinks the conventions of 1940s film noir with a 1970s sensibility.
In the noir world, the L.A. lifestyles of the rich and famous masked an
amoral core over which the detective could momentarily assert his
ethical power; in Penn's 1970s...